Hand drums are one of the first instruments people picture when they think of African music. To the Maasai, however, rhythm lies in the human voice. For people that once moved with the rains, the voice was the easiest instrument to carry.

A traditional style of multi-layered singing is still the most common today. It is based on a rhythmic pattern described by the hypnotic sensation it can produce called laleyio (pronounced lah-lay-ee-oh). Song leaders will begin a song with a namba. Nambas consist of a song leader singing a recognizable line from a song, to which a group of singers will respond with a unanimous call in acknowledgment.

The singing style of male warriors, including the “jumping” that may accompany songs is arguably the most recognizable of all Maasai music styles. Sung originally at warrior encampments and in the “bush,” groups of men now find employment performing tonight at tourist lodges. The style consists of multi-layered group throat singing with interchangeable lead vocals. Lyrical themes include accomplishments, struggles, group members and their girlfriends.